p and the monkey’s paw tell us that each wish after the first is to undo the one before. I think that’s what Shaw was telling us in Don Juan in Hell. Don Juan and the others are free to go to heaven whenever they like, and occasionally do. They come back because they can’t stand the boredom. Where I find

s of Aladdin’s lamp and the monkey’s paw tell us that each wish after the first is to undo the one before. I think that’s what Shaw was telling us in Don Juan in Hell. Don Juan and the others are free to go to heaven whenever they like, and occasionally do. They come back because they can’t stand the bored

etics (Cambridge, Mass.: M.I.T. Press, 1967), p. 199. kelt is important . . . the imposed disturbance)* A A 36. Carlos Castenedas, The Teachings of Don Juan (Berkeley, Calif.: University of California Press, 1968), p. 76. *o All paths are . . . they lead nowhere.fi AA 317 New York Post, April 7, 1968, p

self-medicating explorer of sensory isolation tanks; | met several native shamanic practitioners including the Huichol Indian that was the model for Don Juan in Carlos Castanada’s five volumes of pseudoethnography written up in my essay “Is Don Juan Alive and Well?” in The Pushcart Prize of 1977. Issues of