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n Redon were early adopters of Japonisme, Picasso in his typically against-the-grain manner rejected any interest in the work—even brusquely telling Gertrude Stein in one of their first meetings to put away a set of ukiyo-e prints she profferred him. In his later years. however, when he was working on his last

ear that I was born. In 1922, Isadora Duncan was dancing, Bessie Smith was singing, Georgia O'Keeffe was painting, Harry Houdini was escaping, and Gertrude Stein, F. Scott Fitzgerald, and James Joyce were writing — this was the year that Ulysses was finally published, after nearly a decade of censorship bat

ences born to weigh in and consider intelligences made. Enough of "Al". There's nothing "artificial" about what we make, including knowledge. It was Gertrude Stein who pointed out the tautology of knowledge when she wrote: "How can you know more than you do know". I want to expand group of participants in my b

Bickford, Edmund Carpenter, Werner Heisenberg, Sir James Jeans, Ludwig Wittgenstein, Wallace Stevens, Leon Brillouin, T. S. Eliot, I. A. Richards, Gertrude Stein, Max Born, J. Andrade e Silva, P. W. Bridgman, R. Buckminster Fuller, Sir Arthur Eddington, William Empson, C. G. Jung, Bertrand Russell, William Bu

y Complementarities" in The Screens and Other Poems (New York: Harcourt, Brace & World, (1960), p. 34. ace Where you end . . . draw a line" A A jj, Gertrude Stein, Lectures in America (Boston: Beacon Press 1935), pp. 209-10. ficeA noun is . . . write about it.fi A A n Eliot, ficeFour Quartets" op. cit., p. 126

Will Schutz, Claudio Naranjo, and Charles Tart are in =ttendance. Heinz von Foerster holds forth on cybernetic modeling. My =wn topic is "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Perhaps, of all the "Masters" present, Gregory Bateson, at sixty-eight, =s at once the best known and the least kn

r the fir=t season, but it's attainable down the line. Your grilling helped me t= get there much faster than I would have, so thank you. . Finally, Gertrude Stein really =oes write poems that sound just like that man's nonsense sentences= I am scheduling a little filmed seminar with some students where we=will

s, which disapprove of logical certitude on grounds not clear to me. They are wrong. A rose is a rose. Nor are all examples as inane as that one from Gertrude Stein. All of math is derived as logical certitude. Its proof comes from analysis, not experiment. Proof of Fermat’s last theorem eluded some of the finest

ving if and only if Aristotle was right. Natural selection simply means the untestable but little-doubted theory of causality. Spencer or Darwin or Gertrude Stein might be faulted for insulting our intelligence by stating the obvious. That shoe would fit Gertrude Stein. But Spencer and Darwin, like the little b

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the