ord University ELIZABETH ECONOMY Council on Foreign Relations GEN. KARL EIKENBERRY (RET.) Stanford University DONALD EMMERSON Stanford University FRANCIS FUKUYAMA Stanford University BONNIE GLASER Center for Strategic & International Studies KYLE HUTZLER Stanford University MARKOS KOUNALAKIS Hoover Instituti

l Spindle and Margaret Coker Article 2. The New York Post The storm in Syria Amir Taheri Anicle 3! The American Interest Political Order in Egypt Francis Fukuyama Article 4. NYT The Budget Debate, Revealed Richard W. Stevenson Article 1. Wall Street Journal The New Cold War Bill Spindle and Margaret Coker

st became again, if briefly, the embodiment of universal reason, obliged and equipped to spread its values to the still-benighted parts of the world. Francis Fukuyama's HOUSE_OVERSIGHT_030053 --- PAGE BREAK --- 25 "The End of History and the Last Man" testified to this sense of triumph and historical duty. Such a c

n Interest The Conservative Revolutionary Walter Russell Mead Article 5 NYT Iran Without Nukes Roger Cohen Article 6 NATIONAL REVIEW Interview with - Francis Fukuyama Matthew Shaffer Article 7. Project Syndicate Does Anything Matter? Peter Singer HOUSE_OVERSIGHT_031876 --- PAGE BREAK --- 2 Article 1. The Washingt

uncomfortable. Fundamentally Mill, Berlin and many other Western philosophical theorists and political scientists-from Thomas Paine and John Locke to Francis Fukuyama of late— hold that people will eventually wish to wrest themselves from the shackles of repressive rule. That the innate human desire for free will i

r the demise of communism in 1989, through to the late 1990's, liberal democracy was victorious in the idealogical battlefield. Some historians, like Francis Fukuyama, went so far as to proclaim this period as "the end of history". A key piece of art that championed this kind of ideology was Sheppard Fairey's campa

r the demise of communism in 1989, through to the late 1990's, liberal democracy was victorious in the idealogical battlefield. Some historians, like Francis Fukuyama, went so far as to proclaim this period as "the end of history". A key piece of art that championed this kind of ideology was Sheppard Fairey's campa