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f we understand art as cognitive play with pattern. There, I focused on fiction. In its companion piece, Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets (April 2012), I focus on verse. Together these form the two main, often intertwined, strands of literature. I'd like to build on the diff
ng Chief Administrative Officer Program for Evolutionary Dynamics www.ped.fas.harvard.edu Begin forwarded message: EFTA00415753 From: "Wojcik, Michael" < Date: March 16, 2012 4:12:09 PM EDT To: "Allen, Ben'amin" "Blake, Peter Feng" < "Lieberman, Erez Jean-Baptiste" < >, "Pfeiffer, Thomas" "R
f we understand art as cognitive play with pattern. There, I focused on fiction. In its companion piece, Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets (April 2012), I focus on verse. Together these form the two main, often intertwined, strands of literature. I'd like to build on the diff
May :) May Huang Chief Administrative Officer Program for Evolutionary Dynamics www.ped.fas.harvard.edu Begin forwarded message: From: "Wojcik, Michael" < Date: March 16, 2012 4:12:09 PM EDT To: "Allen, Ben'amin" "Fu, Feng" < Jean-Baptiste" "Rand, David" < Ivana" , "Blake, Peter" < , "Lieberm
d art as cognitive play with pattern. There, I focused on fiction. In its companion piece, Why EFTA00417490 Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets (April 2012), I focus on verse. Together these form the two main, often intertwined, strands of literature. I'd like to build on the diff
May :) May Huang Chief Administrative Officer Program for Evolutionary Dynamics www.ped.fas.harvard.edu Begin forwarded message: From: "Wojcik, Michael" < Date: March 16, 2012 4:12:09 PM EDT To: "Allen, Ben'amin" < "Fu, Feng" < Jean-Baptiste" < "Rand, David" < Ivana" , "Blake, Peter" "Lieberm
f we understand art as cognitive play with pattern. There, I focused on fiction. In its companion piece, Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets (April 2012), I focus on verse. Together these form the two main, often intertwined, strands of literature. I'd like to build on the diff
May :) May Huang Chief Administrative Officer Program for Evolutionary Dynamics www.ped.fas.harvard.edu Begin forwarded message: From: "Wojcik, Michael" < Date: March 16, 2012 4:12.09 PM EDT To: "Allen, Ben'amin" < "Fu, Feng" < "Michel, Jean "Rand, David" < , "Bozic, Ivana" < , "Rosenbloom, Da
ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p
st whose work from 2009 to 2011 serves as an example of what is happening at the intersection of our current technologies, the arts, and cybernetics. Treister has been a pioneer in digital art since the 1990s, inventing, for example, imaginary video games and painting screen shots from them. In her project
ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p
st whose work from 2009 to 2011 serves as an example of what is happening at the intersection of our current technologies, the arts, and cybernetics. Treister has been a pioneer in digital art since the 1990s, inventing, for example, imaginary video games and painting screen shots from them. In her project
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