Epstein Secrets

ons” (as Kant put it) presented to them. It is important that we keep it that way, which will take some doing. One of the flaws in Weizenbaum’s book Computer Power and Human Reason, something I tried in vain to convince him of in many hours of discussion, is that he could never decide which of two theses he wanted to defend: AJ

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History

e” software, hardware, and wetware; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCord

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat

ons” (as Kant put it) presented to them. It is important that we keep it that way, which will take some doing. One of the flaws in Weizenbaum’s book Computer Power and Human Reason, something I tried in vain to convince him of in many hours of discussion, is that he could never decide which of two theses he wanted to defend: AJ

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History

e” software, hardware, and wetware; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCord

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat