Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

tarts to control the flow of traffic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybernetics. The law tells us that to control a system completely, the controller must be a

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

tarts to control the flow of traffic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybernetics. The law tells us that to control a system completely, the controller must be a