Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

rch is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. Daniel C. Dennett is University Professor and Austin B. Fletcher Professor

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

rch is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. In 1950, Norbert Wiener’s Zhe Human Use of Human Beings was at the cutting

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

rch is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. Daniel C. Dennett is University Professor and Austin B. Fletcher Professor

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

rch is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. In 1950, Norbert Wiener’s Zhe Human Use of Human Beings was at the cutting