Epstein Secrets

owing it to detect dissent and subversion as it arises and make resistance to state power futile. Orwell’s telescreens are the prototype, and in 1976 Joseph Weizenbaum, one of the gloomiest tech prophets of all time, warned my class of graduate students not to pursue automatic speech recognition because government s

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

e; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer sc

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy

owing it to detect dissent and subversion as it arises and make resistance to state power futile. Orwell’s telescreens are the prototype, and in 1976 Joseph Weizenbaum, one of the gloomiest tech prophets of all time, warned my class of graduate students not to pursue automatic speech recognition because government s

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

e; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer sc

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy