Epstein Secrets

son, Margaret Mead, and Heinz von Foerster,a remarked Brockman. In April of that year, a group that included von Foerster, Bateson, Zen philosopher Alan Watts, and dolphin researcher John Lilly convened the legendary AUM (ficeAmerican University of Mastersa) Conference in Big Sur to study G. Spencer Browne

ed that ficeLife is the theatre of one chance.fi His life and work have been greatly informed by this idea. In 1964, he met the artist and filmmaker Jonas Mekas, who was running the Film-makersaTM Cinematheque for underground cinema. Brockman was already working with underground film- makers, and video artis

ing about these issues at the time was on the radar screen of the 2"4 order Cybernetics crowd, including Heinz von Foerster as well as John Lilly and Alan Watts, who were the co-organizers of something called "The AUM Conference," shorthand for “The American University of Masters”, which took place in Big Sur

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;

ing about these issues at the time was on the radar screen of the 2"4 order Cybernetics crowd, including Heinz von Foerster as well as John Lilly and Alan Watts, who were the co-organizers of something called "The AUM Conference," shorthand for “The American University of Masters”, which took place in Big Sur

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;