ed that ficeLife is the theatre of one chance.fi His life and work have been greatly informed by this idea. In 1964, he met the artist and filmmaker Jonas Mekas, who was running the Film-makersaTM Cinematheque for underground cinema. Brockman was already working with underground film- makers, and video artis

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;