Rauschenberg, Andy Warhol. several kinetic and "happenings" artists, avant- garde film-makers and dramatists, the Velvet Underground, and composer John Cage. This immersion in New York's arts scene also led to deep interest in science and technology Many of the pieces at the festival were informed by

that down. There's a precedent here for the dinner motif. It was in 1968 in a six-part avant garde series at the 92nd St Y Poetry Center in NY that John Cage hosted a dinner onstage for about 8 people in front of an full house. If it is a dinner, and it's videotaped, it would be best to limit it to a max

xxxxxxx", and I am sure you would have insightful and interesting things to say. See attached file. I've been at this since 1965, when the composer John Cage reached across the table at dinner and handed me CYBERNETICS, saying "this is for you". I never did meet Wiener who had recently died, but also in 1

xxxxxxx", and I am sure you would have insightful and interesting things to say. See attached file. I've been at this since 1965, when the composer John Cage reached across the table at dinner and handed me CYBERNETICS, saying "this is for you". I never did meet Wiener who had recently died, but also in 1

nt-garde program at the Poetry Center at the 92nd St Y in New York. Preceding and following Brockman on the program, respectively, were evenings by John Cage and Jorge Luis Borges. This was the era of ficeThe Living Theatre,fi of Antonin AnaudaTMs ficetheatre of cruelty,fi and the management of the Poetry

Rauschenberg, Andy Warhol, several kinetic and "happenings" artists, avant- garde film-makers and dramatists, the Velvet Underground, and composer John Cage. This immersion in New York's arts scene also led todeep interest in science and technology. Many of the pieces at the festival were informed by

stance, simply rolling =hite house paint onto smooth surfaces. EFTA_R1_01244901 EFTA02325585 Source: San =rancisco Museum of Modern Art Composer John Cage, author of the =amous piece of silence known as 4'33", described the paintings as landing =trips for invisible motes and shadows. Rauschenberg calle

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a

Trance. However, you can very quickly access the subconscious with the right sound structures. Think, for example, of the 1970s and Brian Eno. Or John Cage. This is still a very special area of the avant-garde. I am equally fasci- nated by the singing bowls made from pure brass that are found in Tibeta