nd handed me CYBERNETICS, saying "this is for you". I never did meet Wiener who had recently died, but also in 1965 his colleagues A.K. Soloman and Walter Rosenblith called ne at Film-Makers' Cinematheque to ask if I would bring some NY artists I was working with at the Expanded Cinema Festival to a meeting to di

nd handed me CYBERNETICS, saying "this is for you". I never did meet Wiener who had recently died, but also in 1965 his colleagues A.K. Soloman and Walter Rosenblith called ne at Film-Makers' Cinematheque to ask if I would bring some NY artists I was working with at the Expanded Cinema Festival to a meeting to di

of the Film-Makers' Cinematheque in NYC, the phone rang, and I was introduced to A.K. Solomon, Chairman of the Biophysics Department at Harvard and Walter Rosenblith, sensory communications researcher at MIT. Along with Harold "Doc" Edgerton at MIT and Anthony Oettinger of Harvard, they had been reading about "T

rk. Solomon invited me to bring some of the artists up to Cambridge to meet with him and a group that included MIT sensory- communications researcher Walter Rosenblith, Harvard applied mathematician Anthony Oettinger, and MIT engineer Harold “Doc” Edgerton, inventor of the strobe light. Like many other “art meets s

rk. Solomon invited me to bring some of the artists up to Cambridge to meet with him and a group that included MIT sensory- communications researcher Walter Rosenblith, Harvard applied mathematician Anthony Oettinger, and MIT engineer Harold “Doc” Edgerton, inventor of the strobe light. Like many other “art meets s