sical and spiritual brother to Dizzy's alter ego Moody was the last of the original bebop masters, whose bold souls who followed Dizzy Gillespie and Charlie Parker and worked with them to create a fresh, modern musical dialect within the jazz language. With this said, I again invite you to enjoy the music of o

fields for town. "I was peeping through the slats at a place I'm playing later tonight they call Club Ebony," recalls BB, "to hear Count Basie play, Charlie Parker, too — and see all those beautiful women in tight dresses jivin' away." Young Riley King sang gospel on the street corners of this town, and learne

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to the piano at the age of four. Growing up surrounded by jazz music, he was influenced at an early age by bebop and stars such as Dizzy Gillespie, Charlie Parker, Bud Powell, Hor=ce Silver, and Lester Young. At eight Corea also took up drums, which would later influence his use of the piano as a percussion in

ent memorizer and appreciator of Shakespeare, especially the mystical Tempest, the music of Aaron Copeland and Igor Stravinsky, the improvisations of Charlie Parker and Cannon Ball Adderley and the provocative literature of the time including Jack Kerouc’s On the Road and Hunter Thompson’s Fear and Loathing in La