Epstein Secrets

S.C. § 3509(k) (emphasis added). The word "shall" means that the statute's command is mandatory and not subject to a Court's discretion. See, e.g., Lopez' Davis, 531 U.S. 230, 241 (2001) (noting Congress' "use of a mandatory `shall' to impose discretionless obligations") (emphasis added); Lexecon Inc

would have had, if Mr. Epstein 'The undersigned does not know when Mr. Edwards began representing T.M. or whether T.M. ever formally terminated Mr. Eisenberg's representation. -3- EFTA00233853 Case 9:08-cv-80811-KAM Document 33 Entered on FLSD Docket 01/07/2009 Page 24 of 41 Case 9:08-cv-80736-KAM

y Edwards' other client, T.M., was represented by counsel and, accordingly, all contact with T.M. was made through that attorney. That attorney was James Eisenberg, and his fees were paid by Jeffrey Epstein, the target of the investigation.' 5. In the summer of 2007, Mr. Epstein and the U.S. Attorney's Office

not subject to a Court's discretion. See, e.g., Lopez v. Davis, 531 U.S. 230, 241 (2001) (noting Congre

would have had, if Mr. Epstein 'The undersigned does not know when Mr. Edwards began representing T.M. or whether T.M. ever formally terminated Mr. Eisenberg's representation. 09112/2019 CONFIDENTIAL Agency to Agency Requet: 19-011 SDNY_GM_00331560 EFTA_00204286 EFTA02729277 Case 9:08-cv-80811-KAM

for her work in these cases. • U.S.'. Vladimir Lopez, et al., 11-Cr-80106 • U.S.'. Ketty a, et al.,

contacted Jim Eisenberg, counsel for Individual # 28, who is Jane Doe #2 in the Jane Doe I United States suit. As noted on the attached chart, Mr. Eisenberg was paid for by Mr. Epstein. I told Mr. Eisenberg that I was preparing victim notification letters and needed to know if he was still representing

ber. It’s opening night at The Film Society of Lincoln Center. One of America’s most important and prolific producers, Scott Rudin, along with Jesse Eisenberg, Andrew Garfield and Aaron Sorkin, are in a brightly lit box waving down to their equally hysterical audience who have just seen The Social Network.

o let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavat

s Anna Paquin playing the piano in hopes of winning a Max Award. As I come in, a 400-pound gorilla refuses to let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to remember me. Her manager, Benny Medina, is kicking