Epstein Secrets

the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a particularly i

g prayer — at the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a par

ow on his childhood. Every Saturday morning, we would listen to a classical music concert on my parents’ radio. One day, as the beautiful melodies of Tchaikovsky’s violin concerto in D came through the radio, I was struck by the almost trancelike look that came over my father’s face. He seemed to be in another

the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a particularly i

g prayer — at the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a par

ow on his childhood. Every Saturday morning, we would listen to a classical music concert on my parents’ radio. One day, as the beautiful melodies of Tchaikovsky’s violin concerto in D came through the radio, I was struck by the almost trancelike look that came over my father’s face. He seemed to be in another

both back to the past and forward to the future. For example, Bela Bartok's Second Violin Concerto, with soloist Gil Shaham, is in the tradition of Beethoven and Brahms but also experiments with the twelve-tone technique. Jean Sibelius's Second Symphony, on the other hand, combines echoes of Tchaikovsky

f Beethoven and Brahms but also experiments with the twelve-tone technique. Jean Sibelius's Second Symphony, on the other hand, combines echoes of Tchaikovsky with innovative form, while Ferruccio Busoni's Tanz-Walzer conjures up the atmosphere of a coffee house. READ MORE Nutcracker and Firebird NEW IN