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the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a particularly i
e came to see Mishmar Hasharon has her extended family and spent every one of her one hundred years there. Esther Godin, as the then was, grew up in Warsaw. Born in 1913, she was the oldest of the six children of Samuel and Rachel Godin. Poland at the time was home to the largest Jewish community in the
the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a particularly i
e came to see Mishmar Hasharon has her extended family and spent every one of her one hundred years there. Esther Godin, as the then was, grew up in Warsaw. Born in 1913, she was the oldest of the six children of Samuel and Rachel Godin. Poland at the time was home to the largest Jewish community in the
fast-moving financial product, a miracle medical cure, an idea, a smashed up sound - is like the first time you looked at a Matisse painting or heard Beethoven (or Orbital). It switched on a new sensibility. But you have probably had - or will shortly - another moment. This is the instant a cold and creeping
nami-like changes wipe clean old orders and other, more sedate periods where time dawdles like a quiet lake. This is the difference between living in Warsaw in, say, 1339 or 1939. The first period was sober and silent; the second was awfully awake. Historic moments like 1939 are marked by the fact that ch
in an instant. The Long Now project, then, was like one of those carefully isolated arctic freezers, where samples of essential grains and DNA from Beethoven’s hair and Einstein’s brain are sunk and iced against the godforbid day in which our basic feedstock or a chunk of humanity has been wiped out by acc
h. Remember the distinction from earlier in the book, the difference between living at an ordinary moment and an historic one? The difference between Warsaw in 1539 and 1939? In one age, history is irrelevant; in the other it nearly throttles you. You can’t avoid being touched. We live in an historic era,
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