Epstein Secrets

n of Charley Parker’s flatted fifth and ninth to the dominant seventh chord led suddenly somewhere else and she knew it. Hearing my arrangement of a Beethoven piano piece become a HOUSE_OVERSIGHT_013508 mix of classical and modern jazz themes that | called “How High the Moonlight Sonata,” she laughed lasc

, the Cabalist’s Yesod, the Sufis Baraka, the Christian Holy Spirit, the Yogic breath energy, prana, Mesmer’s animal magnetism, Galvani’s life force, Goethe’s Gestaltung, Madam Blavatsky’s astral light, Georg Groddeck’s it, Henri Bergson’s elan vitale, Schroedingers entropy, Abraham Maslow, Ruth Benedict

fast-moving financial product, a miracle medical cure, an idea, a smashed up sound - is like the first time you looked at a Matisse painting or heard Beethoven (or Orbital). It switched on a new sensibility. But you have probably had - or will shortly - another moment. This is the instant a cold and creeping

r, they are worth learning about and exploring. They stand out as trailguides to a fresh sensibility in the same way Nijinsky’s 20" century dances or Goethe’s 19" century poetry once did. We flip back and forth between real and virtual in our every day lives now, popping our head from screen to street. O

in an instant. The Long Now project, then, was like one of those carefully isolated arctic freezers, where samples of essential grains and DNA from Beethoven’s hair and Einstein’s brain are sunk and iced against the godforbid day in which our basic feedstock or a chunk of humanity has been wiped out by acc

ese sacrifices marked sailing adventure. But they knew the rewards for areal mastery of the sea: Fame, riches, knowledge, adventure. Sloterdijk cites Goethe, who reflecting on the power of nautical life in 1787, defined the edgy advantage of that ocean-mapping caste in his age: They had perspective. “No o