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imulations, the first few points of the on- going wild dynamical dance that appears to jump randomly fro
, the Cabalist’s Yesod, the Sufis Baraka, the Christian Holy Spirit, the Yogic breath energy, prana, Mesmer’s animal magnetism, Galvani’s life force, Goethe’s Gestaltung, Madam Blavatsky’s astral light, Georg Groddeck’s it, Henri Bergson’s elan vitale, Schroedingers entropy, Abraham Maslow, Ruth Benedict
. Ash trees shaded the study rooms in the summer. Wild peonies erupted in pink and white each spring. 1
r, they are worth learning about and exploring. They stand out as trailguides to a fresh sensibility in the same way Nijinsky’s 20" century dances or Goethe’s 19" century poetry once did. We flip back and forth between real and virtual in our every day lives now, popping our head from screen to street. O
ero”, when they are revealed to have been running wild inside some hapless network or machine. That firs
ese sacrifices marked sailing adventure. But they knew the rewards for areal mastery of the sea: Fame, riches, knowledge, adventure. Sloterdijk cites Goethe, who reflecting on the power of nautical life in 1787, defined the edgy advantage of that ocean-mapping caste in his age: They had perspective. “No o
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