Epstein Secrets

nnamable, op. cit., pp. 394-95. aceThere was never . . . me of me.a A A a Valery, op. cit., p. 40. AceWhen I dream I . I not . . . Nature% A A 54. Brown, op. cit., p. 100. acea fall into . . . natural object: tprojected.aTMa Acethe death of . . . birth of poetry.fi A A a Ibid., p. 107 (quoting Blake)

MalA op. cit., p. 313. aceHe disposes the world in categories.fi A A 12. Samuel Beckett, The Unnamable, in Three Novels by Samuel Beckett (New York: Grove Press, 1955), p. 326. ficeThereamis no getting . . . keep in mind" A A 13. Beckett, Molloy, op. cit., p. 31. furThe icy words . . . the words know" A A

sh holidays. It was across the road from The Posh Brown’s, made famous by Jerry Lewis, who frequently per

ntly died at the age of 66, thus bringing home to me how much time had passed). The film was seized by US Customs and banned throughout the country. Grove Press, a radical publishing house in New York, owned the film and retained me to argue for its protection under the First Amendment. I don’t recall whether

must not be overinclusive or underinclusive. See Brown v. Entertainment Merchants Assn.: “Underinclusive

ot in practice. Not surprisingly, the District Attorney appealed our victory to the Supreme Court, which accepted the case. I was asked to argue for Grove Press. And so, at the age of 31, I argued my first case before the High Court. 102 HOUSE_OVERSIGHT_017189 4.2.12 WC: 191694 I had prepared extensively