Epstein Secrets

e should fit together in this way, and in fact it wasn't until many years later that the equation was independently explained at an atomic level by Maxwell and Boltzmann. Thirdly, the equations do not refer to underlying microscopic mechanisms or variables. In equation (4.7a) there are no references to

l regularity and predictability in the aggregate. The Maxwell-Boltzmann-Gibbs methods of statistical mechanics

rapidly diminishing explanatory returns from increasingly explicit microfoundations. [Wright 2009] And a shorter one from Von Neumann, reported by Claude Shannon: "My greatest concern was what to call it. I thought of calling it 'information', but the word was overly used, so I decided to call it 'uncertaint

ple appear to have creativity in abundance and the things they create are truly wonderful. I’m thinking here of Picasso, Einstein, Mozart, Edison, or Maxwell, but a precise definition of creative thinking is hard to pin down. Here are some generally accepted categories: Divergent Thinking The first sort

tted is useless as it is, in effect, encrypted using a one-time pad. The only person in possession of a copy of this one-time pad is me: the sender. Claude Shannon proved a one-time pad is unbreakable during the Second World War. Yet the British succeeded in breaking it. How was this possible? The fatal weaknes

mbitions for cybernetic concepts, however, and in 7he Human Use of Human Beings he spells out his thoughts on its application to topics as diverse as Maxwell’s Demon, human language, the brain, insect metabolism, the legal system, the role of technological innovation in government, and religion. These broa

series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’

n around since the Enlightenment (boosted by the Industrial Revolution). The names in this lineage include Descartes, Leibniz, Sadi Carnot, Clausius, Maxwell, and Watt. Wiener’s coinage nonetheless had profound cultural effects.4”7 The ubiquity today of the prefix “cyber-” confirms the desire for a crisp s

arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free

mbitions for cybernetic concepts, however, and in 7he Human Use of Human Beings he spells out his thoughts on its application to topics as diverse as Maxwell’s Demon, human language, the brain, insect metabolism, the legal system, the role of technological innovation in government, and religion. These broa

series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’

n around since the Enlightenment (boosted by the Industrial Revolution). The names in this lineage include Descartes, Leibniz, Sadi Carnot, Clausius, Maxwell, and Watt. Wiener’s coinage nonetheless had profound cultural effects.4”7 The ubiquity today of the prefix “cyber-” confirms the desire for a crisp s

arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free