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From: Richard Kahn Sent: Tuesday, May 8, 2018 6:54 PM To: jeffrey E. Subject: Fwd: View tonight I The live stream of The Collection of Peggy and David Rockefeller 19th and 20th Century Art, Evening Sale in New York R
entury Art, Evening Sale from The Collection of Peggy and David =ockefeller. Watch the action live while masterpieces by Monet, =elacroix, Picasso, Matisse and Gaugin, among others, go under the =ammer. Please note that there is a slight delay in =his streaming broadcast. We recommend that bidders or th
Times Magazine article by Helen Epstein, quoted one analyst who believed "partner reduction has been the neglected middle child of the ABC approach." Epstein wrote, "Perhaps the topic seems weighted with moral judgment; perhaps Western advisors in particular feel it would be insensitive to raise it; perhap
people at many times in their lives -- without letting go of the fact that some people can and do freely consent to the job. (The sex worker Mistress Matisse has written a fair bit on sex work and emotional labor. And male sex workers don't always have an easy time; the porn star Tyler Knight has written a
ual ABCs in Africa, Part 2: Be Faithful 1. Helen Epstein's 2004 article "The Fidelity Fix": http:/www.nyti
Arrangement blog post, "Sugar Babies Do Fall In Love": HOUSE_OVERSIGHT_018695 http://www.seekingarrangement.com/blog/?p=5561 -- [back] 3. Mistress Matisse on sex work and emotional labor: http://www.thestranger.com/seattle/ Content?oid=26113 and also: http://mistressmatisse.blogspot.com/2011/01/im-expe
July/August 2009 58 The concept was summarized: Jeffrey Goldberg, “Hillary Clinton: ‘Failure’ to Help Syr
o a computer, a friend, a fast-moving financial product, a miracle medical cure, an idea, a smashed up sound - is like the first time you looked at a Matisse painting or heard Beethoven (or Orbital). It switched on a new sensibility. But you have probably had - or will shortly - another moment. This is the
REAK --- _-3 EFTA00004684 --- PAGE BREAK --- JE photos, cancer benefit CIMG0355.JPG CIMG0359.J
Page: EFTA00004689 →(French, 1869-1954) Le RefIet (also called Femme devant un miroir, Le reflet dans la glace, Femme rousse anise) Signed and dated upper right Henri.Matisse 35 Oil on canvas 18 Vs by 21 7/8 in. (46.3 by 55.5 cm.) Painted in 1935 Provenance: Renou and Colle (acquired directly from the artist in Octobe
Page: EFTA00004727 →(French, 1869-1954) Le RefIet (also called Femme devant un miroir, Le reflet dans la glace, Femme rousse anise) Signed and dated upper right Henri.Matisse 35 Oil on canvas 18 Vs by 21 7/8 in. (46.3 by 55.5 cm.) Painted in 1935 Provenance: Renou and Colle (acquired directly from the artist in Octobe
Page: EFTA00004727 →(French, 1869-1954) Le RefIet (also called Femme devant un miroir, Le reflet dans la glace, Femme rousse anise) Signed and dated upper right Henri.Matisse 35 Oil on canvas 18 Vs by 21 7/8 in. (46.3 by 55.5 cm.) Painted in 1935 Provenance: Renou and Colle (acquired directly from the artist in Octobe
Page: EFTA00004727 →(French, 1869-1954) Le RefIet (also called Femme devant un miroir, Le reflet dans la glace, Femme rousse anise) Signed and dated upper right Henri.Matisse 35 Oil on canvas 18 Vs by 21 7/8 in. (46.3 by 55.5 cm.) Painted in 1935 Provenance: Renou and Colle (acquired directly from the artist in Octobe
Page: EFTA00004727 →(French, 1869-1954) Le RefIet (also called Femme devant un miroir, Le reflet dans la glace, Femme rousse anise) Signed and dated upper right Henri.Matisse 35 Oil on canvas 18 Vs by 21 7/8 in. (46.3 by 55.5 cm.) Painted in 1935 Provenance: Renou and Colle (acquired directly from the artist in Octobe
Page: EFTA00004727 →peinture francaise, 1978, no. 41 Paris, Galerie Schmit, Lumieres sur la peinture des 19 et 20 siecles, 1983, no. 58 Literature: Pierre Schneider, Matisse, Paris, 1984, no. 43; illustrated p. 433 Lydia Delectorskaya, L 'Apparente Facilite Peintures de 1935-1939, Paris, 1986, illustrated p. 41 EFTA000
Page: EFTA00004729 →peinture francaise, 1978, no. 41 Paris, Galerie Schmit, Lumieres sur la peinture des 19 et 20 siecles, 1983, no. 58 Literature: Pierre Schneider, Matisse, Paris, 1984, no. 43; illustrated p. 433 Lydia Delectorskaya, L 'Apparente Facilite Peintures de 1935-1939, Paris, 1986, illustrated p. 41 EFTA000
Page: EFTA00004729 →peinture francaise, 1978, no. 41 Paris, Galerie Schmit, Lumieres sur la peinture des 19 et 20 siecles, 1983, no. 58 Literature: Pierre Schneider, Matisse, Paris, 1984, no. 43; illustrated p. 433 Lydia Delectorskaya, L 'Apparente Facilite Peintures de 1935-1939, Paris, 1986, illustrated p. 41 EFTA000
Page: EFTA00004729 →peinture francaise, 1978, no. 41 Paris, Galerie Schmit, Lumieres sur la peinture des 19 et 20 siecles, 1983, no. 58 Literature: Pierre Schneider, Matisse, Paris, 1984, no. 43; illustrated p. 433 Lydia Delectorskaya, L 'Apparente Facilite Peintures de 1935-1939, Paris, 1986, illustrated p. 41 EFTA000
Page: EFTA00004729 →peinture francaise, 1978, no. 41 Paris, Galerie Schmit, Lumieres sur la peinture des 19 et 20 siecles, 1983, no. 58 Literature: Pierre Schneider, Matisse, Paris, 1984, no. 43; illustrated p. 433 Lydia Delectorskaya, L 'Apparente Facilite Peintures de 1935-1939, Paris, 1986, illustrated p. 41 EFTA000
Page: EFTA00004729 →Entities connected to both Jeffrey Epstein and Matisse

Richard Kahn
PERSON
Marc Rich
PERSONLeon Black
PERSON
Eric Trump
PERSON
Condoleezza Rice
PERSONPeggy Siegal
PERSON
Prince Charles
PERSON
Barry Diller
PERSON
New York
LOCATION
Samantha Power
PERSON
Michael Jackson
PERSON
Barack Obama
PERSON
Chris Christie
PERSON
Elizabeth II
PERSON
Pablo Picasso
PERSON
New York Magazine
ORGANIZATIONMonet
PERSON
Botswana
LOCATION
the University of Chicago
ORGANIZATIONFight Club
ORGANIZATION