Epstein Secrets

wrote: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical t

anguage and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way i

wrote: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical t

anguage and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way i

+0000 Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical tr

language and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

wrote: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical tr

language and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

wrote: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical tr

language and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

from the Cape to Cambridge. Along with every other car in Mass. EFTA_R1_01429580 EFTA02396888 Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical tr

language and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

E: Re: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical tr

language and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

wrote= Been on the road all day from the Cap= to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since=Leonard Bernstein's Charles Eliot Norton lectures at Harvard about=40 years ago there has been interesting work seeking structural similarities between language and at least some musical t

anguage and at least some musical traditions, mostly=western tonal. You might want to have a look. One of those doi=g the best work is my colleague David Pesetsky, a fine linguist and excell=nt musician. You're right that "re=ding the eyes" is a complex and fascinating topic, even extrapolat=ng gaze, the way i

wrote: Been on the road all day from the Cape to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similarities between language and at least some musical t

anguage and at least some musical traditions, mostly western tonal. You might want to have a look. One of those doing the best work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "reading the eyes" is a complex and fascinating topic, even extrapolating gaze, the way

w=ote: Been on the road all day from the Cap= to Cambridge. Along with every other car in Mass. Glad you liked the paper. Since=Leonard Bernstein's Charles Eliot Norton lectures at Harvard about 40 years ago there has been interesting work seeking structural similariti=s between language and at least some musical t

anguage and at least some musical traditions, mostly western to=al. You might want to have a look. One of those doing the best=work is my colleague David Pesetsky, a fine linguist and excellent musician. You're right that "re=ding the eyes" is a complex and fascinating topic, even extrapolat=ng gaze, the way