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ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
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