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nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
ons” (as Kant put it) presented to them. It is important that we keep it that way, which will take some doing. One of the flaws in Weizenbaum’s book Computer Power and Human Reason, something I tried in vain to convince him of in many hours of discussion, is that he could never decide which of two theses he wanted to defend: AJ
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
e” software, hardware, and wetware; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCord
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
ons” (as Kant put it) presented to them. It is important that we keep it that way, which will take some doing. One of the flaws in Weizenbaum’s book Computer Power and Human Reason, something I tried in vain to convince him of in many hours of discussion, is that he could never decide which of two theses he wanted to defend: AJ
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
e” software, hardware, and wetware; the Fair Access to Science and Technology Research Act (FASTR); and the Open Humans Foundation. In his 1976 book Computer Power and Human Reason, Joseph Weizenbaum argued that machines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCord
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