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dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,
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