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dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
d we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be used here in a very broad sense to include all of the procedures by which one mind may affect another
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
es. Time must flow forward; 3° Norbert Wiener, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in ori
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
d we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be used here in a very broad sense to include all of the procedures by which one mind may affect another
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
es. Time must flow forward; 3° Norbert Wiener, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in ori
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