Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). Seth Lloyd is a theoretical physicist at MIT, Nam P. Suh Professor in the Department of Mechanical Engineerin

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Art

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). Seth Lloyd is a theoretical physicist at MIT, Nam P. Suh Professor in the Department of Mechanical Engineerin

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Art