Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

the Nobel Prize in Chemistry (2009); current president of the Royal Society; and the author of Gene Machine: The Race to Discover the Secrets of the Ribosome. HOUSE_OVERSIGHT_016806 Stuart Russell is a professor of computer science and Smith-Zadeh Professor in Engineering at UC Berkeley. He is the coauth

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

the Nobel Prize in Chemistry (2009); current president of the Royal Society; and the author of Gene Machine: The Race to Discover the Secrets of the Ribosome. A former colleague of mine, Gérard Bricogne, used to joke that carbon-based intelligence was simply a catalyst for the evolution of silicon-based i

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

the Nobel Prize in Chemistry (2009); current president of the Royal Society; and the author of Gene Machine: The Race to Discover the Secrets of the Ribosome. HOUSE_OVERSIGHT_016223 Stuart Russell is a professor of computer science and Smith-Zadeh Professor in Engineering at UC Berkeley. He is the coauth

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

the Nobel Prize in Chemistry (2009); current president of the Royal Society; and the author of Gene Machine: The Race to Discover the Secrets of the Ribosome. A former colleague of mine, Gérard Bricogne, used to joke that carbon-based intelligence was simply a catalyst for the evolution of silicon-based i