Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

Afterwords, which were very much on their wavelength. I jumped at the opportunity, the main reason being that the keynote speaker was none other than Richard Feynman. I love 12 HOUSE_OVERSIGHT_016815 to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no phys

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

hine and founded what may have been the first Al company—Thinking Machines Corporation—to produce and market it. This was despite a lunch he had with Richard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

Afterwords, which were very much on their wavelength. I jumped at the opportunity, the main reason being that the keynote speaker was none other than Richard Feynman. I love 12 HOUSE_OVERSIGHT_016232 to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no phys

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

hine and founded what may have been the first Al company—Thinking Machines Corporation—to produce and market it. This was despite a lunch he had with Richard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had