Epstein Secrets

series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’

nces are intimately bound up in the idea of an impending technological singularity. His work on neuroscience and his initial support of McCulloch and Pitts adumbrated the startlingly effective deep-learning methods of the present day. Over the past decade, and particularly in the last five years, such de

arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free

ow it an abstract painting and see what it says. But it does a pretty good job. It works using the same neural-network technology that McCulloch and Pitts imagined in 1943 and lots of us worked on in the early eighties. Back in the 1980s, people successfully did OCR—optical character recognition. They t

series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’

nces are intimately bound up in the idea of an impending technological singularity. His work on neuroscience and his initial support of McCulloch and Pitts adumbrated the startlingly effective deep-learning methods of the present day. Over the past decade, and particularly in the last five years, such de

arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free

ow it an abstract painting and see what it says. But it does a pretty good job. It works using the same neural-network technology that McCulloch and Pitts imagined in 1943 and lots of us worked on in the early eighties. Back in the 1980s, people successfully did OCR—optical character recognition. They t