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arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free
rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
arguments in Zhe Human Use of Human Beings seem closer to the 19th century than the 21st. In particular, although Wiener made reference throughout to Claude Shannon’s then-new work on information theory, he seems not to have fully embraced Shannon’s notion of information as consisting of irreducible, meaning-free
rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
series of dinners—an ongoing seminar about media, communications, art, music, and philosophy that focused on Cage’s interest in the ideas of Wiener, Claude Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
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