Epstein Secrets

s. Arbus balances the play's wit and exuberant humor with love that is composed of desire and distrust warmth and anger. Set in early 20th Century Sicily with original music by Michael Friedman, victorious soldiers return from war and set their sights on the peacetime pleasures of clever banter and

al sparring flames into private warfare. As Beatrice and Benedick, Maggie Siff (brilliant as Kate last season in Shrew) and Jonathan Cake (Jason in Medea opposite Fiona Shaw) collide in a vivid dance of contrasts. One is British, the other American, one sophisticated, the other rough-edged—two forme

s. Arbus balances the play's wit and exuberant humor with love that is composed of desire and distrust warmth and anger. Set in early 20th Century Sicily with original music by Michael Friedman, victorious soldiers return from war and set their sights on the peacetime pleasures of clever banter and

al sparring flames into private warfare. As Beatrice and Benedick, Maggie Siff (brilliant as Kate last season in Shrew) and Jonathan Cake (Jason in Medea opposite Fiona Shaw) collide in a vivid dance of contrasts. One is British, the other American, one sophisticated, the other rough-edged—two forme

Sunday at The Duke on 42nd Street contains all that and more. Directed by Arin Arbus, the polished presentation is set just before World War I in Sicily. Arbus, who also directed Shakespeare's "Othello" and "MacBeth" for the same theater company, here creates another dynamic, stylish staging. With

are too wise to woo peaceably," says Benedick. And, oh, what a Benedick! For those who have seen Cake only in more serious roles, such as Jason in Medea, this warm and generous turn will come as a revelation and delight. Even beneath a bushy beard, he is a remarkably mobile and expressive actor, con

Sunday at The Duke on 42nd Street contains all that and more. Directed by Arin Arbus, the polished presentation is set just before World War I in Sicily. Arbus, who also directed Shakespeare's "Othello" and "MacBeth" for the same theater company, here creates another dynamic, stylish staging. With

are too wise to woo peaceably," says Benedick. And, oh, what a Benedick! For those who have seen Cake only in more serious roles, such as Jason in Medea, this warm and generous turn will come as a revelation and delight. Even beneath a bushy beard, he is a remarkably mobile and expressive actor, con