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iversity of the Arts and put his hands in cement as a 1999 inductee into Hollywood's "Rock Walk." In 2011 he was honored with the highly prestigious Miles Davis Award at the Montreal Jazz Festival for his entire body of work. Most recently Clarke won the EFTA00673237 2013 and 2014 Downbeat Magazine's Read

sense of lyricism and melody, which he had distilled from his bass heroes Charles Mingus, Scott LaFaro and others, as well as non-bass players like John Coltrane. Clarke fired the bass "shot heard round the world" that started the '7os bass revolution and paved the way for all bassists/soloists/bandleaders t

elease (with Mirosla= Vitous and Roy Haynes) Now He Sings, Now He Sobs is considered a classic. After a short stint w=th Sarah Vaughan, Corea joined Miles Davis as Herbie Hancock's gradual replacement, staying wit= Davis during a very important transitional period (1968-1970). He was persuaded by the trumpet

orever. Along with Herbie Hanco=k, McCoy Tyner, and Keith Jarrett, he has been described as one of the major jazz piano voices =o emerge in the post-John Coltrane era. Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. As one of the few electri

t featuring Gary Bait. Tyner became a part of the fertile jazz and R&B scene of the early '50s. At 17, he began a career-changing relationship with Miles Davis sideman John Coltrane. Tickets are $38 and can be purchased through or by calling '. Doors open at 7:00pm and shows begin at 7:30pm and 10:00pm.

. Tyner became a part of the fertile jazz and R&B scene of the early '50s. At 17, he began a career-changing relationship with Miles Davis sideman John Coltrane. Tickets are $38 and can be purchased through or by calling '. Doors open at 7:00pm and shows begin at 7:30pm and 10:00pm. • Join us for an enco

d after her telling. She had tearful smiles listening to Debussy’s Afternoon of a Fawn. The flatted fifths of Charley Parker and the laconic riffs of Miles Davis made her anxious. Since then and for all these many years, the same sensually susceptible brains showed up in my life carrying a variety of woman’s

ture. The rich, altered states of consciousness that emerge while hearing the beat of Tibetan monks meditating, the Sufi chant-dances of Rumi and the John Coltrane and McCoy Tyner’s endless, single chord, tenor/piano dialogues exemplify the bifurcation to hallucinatory new stuff arising spontaneously from the ex