Epstein Secrets

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a