Epstein Secrets

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist