Epstein Secrets

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy

to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no physicist was reputed to be articulate as Feynman. I couldn’t wait to meet him. I accepted. That said, I am not a scientist, and I had never entertained the idea of getting on a stage and delivering

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

ard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had a well-known predilection for playing with dopey ideas. In the event, he showed up on the day the company was incorporated and stayed on, for sum

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy