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American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Arthur Koestler identified a tension that has marked the most dramatic leaps of our cosmological imagination. In reading the great works of Nicolaus
rid like evanescent neural impulses or bioluminescent clusters of diatoms. In Stephen Hawking’s 2012 film The Meaning of Life, the narrator describes Conway’s mathematical model as simulating “how a complex thing like the mind might come about from a basic set of rules,” revealing the overweening ambition
es. The drawings and binary figures are animated using algorithms from mathematician John Horton Conway’s 1970 Game of Life, a “cellular automaton.” Conway set up parameters for any square (“cell”) to be lit (“alive”) or dark (“dead”) in an infinite, two-dimensional grid. The rules are summarized as foll
American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Arthur Koestler identified a tension that has marked the most dramatic leaps of our cosmological imagination. In reading the great works of Nicolaus
rid like evanescent neural impulses or bioluminescent clusters of diatoms. In Stephen Hawking’s 2012 film The Meaning of Life, the narrator describes Conway’s mathematical model as simulating “how a complex thing like the mind might come about from a basic set of rules,” revealing the overweening ambition
es. The drawings and binary figures are animated using algorithms from mathematician John Horton Conway’s 1970 Game of Life, a “cellular automaton.” Conway set up parameters for any square (“cell”) to be lit (“alive”) or dark (“dead”) in an infinite, two-dimensional grid. The rules are summarized as foll
ating the first plays; tragedies, comedies and the like, but serious thinkers thought of them as documenting the human condition. It wasn't until the Renaissance, 1500 years later, that humans began to appreciate that they create knowledge, and this started us on our quest to understand creativity. One of my c
e. Can we use the laws of physics to test these possibilities? We don't need to know how the influence works, just that it might exist in principle. Conway and Kochen prove there can be no external influence, and when a particle reveals its spin, that spin was not known beforehand. It is independent of a
cientists John Padgett and Walter Powell, after considering examples of epochal, collapsing change in political and biological systems of all sorts - Renaissance finance markets, coral reefs, innovation clusters, and others - summed up their conclusions in a little koan-like package of logic: “In the short run
our old ideas, our current fortunes and - if we're not careful - our safety. Engineers know this idea that network design shapes the real world as “Conway’s Law.”21 Melvin Conway was an early AT&T systems designer who noticed that the organization of any connected telephone system had an impact on the c
!. The mouse. Laser printing. A graphical user interface. PARC was arguably the most economically significant small group in human history, an entire Renaissance packed into a couple of dozen offices. Just as the nations that produced the finest mariners once dominated global commerce and decided political que
s possible. That Cap’n Crunch thrill, the dream of whistling up control over the thick, helpless trunk of a network, that remains the dream. Remember Conway’s Law: The design and activity and control of a network redounds on, even determines the real world. If the whole network is, in a sense, filled with
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