Epstein Secrets

s, has to account for the writing of this theory. And even more fascinating, the writer of this theory has to account for her or himself. That year Bateson and Mead increasingly talked about patterns and processes, or acethe pattern that connects.a They called for a new kind of systems ecology in which

nt-garde program at the Poetry Center at the 92nd St Y in New York. Preceding and following Brockman on the program, respectively, were evenings by John Cage and Jorge Luis Borges. This was the era of ficeThe Living Theatre,fi of Antonin AnaudaTMs ficetheatre of cruelty,fi and the management of the Poetry

llough wanted to include mind. He turned to cultural anthropologists Gregory Bateson and Margaret Mead to make the connection to the social sciences. Bateson in particular was increasingly talking about patterns and processes, or “the pattern that connects.” He called for a new kind of systems ecology in w

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a

llough wanted to include mind. He turned to cultural anthropologists Gregory Bateson and Margaret Mead to make the connection to the social sciences. Bateson in particular was increasingly talking about patterns and processes, or “the pattern that connects.” He called for a new kind of systems ecology in w

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a