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at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016921 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
, prompting him to ask, “Do we need a new set of guiding metaphors?” 108 HOUSE_OVERSIGHT_016911 “INFORMATION” FOR WIENER, FOR SHANNON, AND FOR US David Kaiser David Kaiser is Germeshausen Professor of the History of Science and professor of Physics at MIT, and head of its Program in Science, Technology & Soc
at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016338 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
ines to seem as smart as a mosquito, forever descending the cosmic gradients to an ultimate goal, whatever that may be. 107 HOUSE_OVERSIGHT_016327 David Kaiser is a physicist atypically interested in the intersection of his science with politics and culture, about which he has written widely. In the first m
onstructed to make sense of the world and our place in it. Consider the developments during the 1930s- 1940s: Godel's Incompleteness Theorems (1931); Turing's "On Computable Numbers, With An Application To The Entscheidungsproblem" (1936); Bateson's theory of "Schismogenesis" in Naven (1936); Rosenblueth
Dennett, David Deutsch, Anca Dragan, George Dyson, Peter Galison, Neil Gershenfeld, Alison Gopnik, Tom Griffiths, Danny Hillis, Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Venki Ramakrishnan, Stuart Russell, Jaan Tallin, Max Tegmark, Frank Wil
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