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at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016921 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016338 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
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