elish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture of

ed from England, where they : s. Next comes a marble foyer, which 4 were made for injured soldier but the” t does have a painting, in the manner of Jean Dubuffet.. host coyly refuses to tell visitors who painted it. In any C45 : Jeffrey Epstein, Coney Isl circa 1969 (Anonyn i " x HOUSE_OVERSIGHT_022006 ---

elish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet. . . but the” host coyly refuses to tell visitors who painted it. In any case, | Jeffrey Epstein, Coney Isl circa 1969 (Anonyr HOUSE_OVERSIGHT_0221

der Calder: Modern from the Start" at the MoMA ©️ Jean Dubuffet, Landscape (Paysage), 1953, Collection David and

n Miró (1893-1983), Alexander Calder (1898-1976), Jean Dubuffet (1901-1985), Mark Rothko (1903-1970), and Jean-Mi

asso, Fernand Léger, Joan Miró, Alexander Calder, Jean Dubuffet, Mark Rothko, and Jean-Michel Basquiat Presented

ith the School of Paris and Art Informel, such as Jean Dubuffet and Pierre Soulages. Embodying the freeform style

asso, Fernand Léger, Joan Miró, Alexander Calder, Jean Dubuffet, Mark Rothko, and Jean-Michel Basquiat Presented

n made for wounded soldiers. The room connected to the hallway was a marble foyer adorned with a painting that resembled works by the French artist Jean Dubuffet. "The host coyly refuses to tell visitors who painted it," the reporter, Vicky Ward, wrote. The article was published around the same time that he

n made for wounded soldiers. The room connected to the hallway was a marble foyer adorned with a painting that resembled works by the French artist Jean Dubuffet. "The host coyly refuses to tell visitors who painted it," the reporter, Vicky Ward, wrote. The article was published around the same time that he

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer. which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

ish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture o

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer. which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

hree paintings — "Tete de Femme (Jacqueline) by Pablo Picasso (the Picasso), Untitled by Robert Motherwell (the Motherwell), and Element Bleu XV by Jean Dubuffet (the Dubuffet)." One of the paintings was sold after the date of death for an amount considerably in excess of the 706 filing amount. This case addr

ish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture o

ish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture o

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer, which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

elish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture of