le in Ms. magazine about Deep Throat and the exploitation of its female lead, Linda Lovelace. Pointing to the $60 million allegedly made on the film, Steinem characterized Deep Throat as “a national and international profit center and dirty joke.” At the heart of the joke was Linda Lovelace “whose innocent

hose innocent face offered movie-goers the titillating thought that even the girl-next-door might be the object of porn-style sex.” But, according to Steinem, it was a joke with widely felt consequences: “Literally millions seem to have been taken to Deep Throat by their boyfriends or husbands (not to ment

of her travels, from childhood trips in her father's trailer to the campaign frail of Hillary Clinton. It is in planes, trains and automobiles that Steinem has encountered what she calls the surrealism in everyday life', and on this one- stop tour you can hear the legendary speaker. who has taken to the

of her travels, from childhood trips in her father's trailer to the campaign trail of Hillary Clinton. It is in planes, trains and automobiles that Steinem has encountered what she calls lhe surrealism in every day life', and on this one-stop tour you can hear the legendary speaker, who has taken to the

of her travels, from childhood trips in her father's trailer to the campaign trail of Hillary Clinton. It is in planes, trains and automobiles that Steinem has encountered what she calls lhe surrealism in every day life', and on this one-stop tour you can hear the legendary speaker, who has taken to the

of her travels, from childhood trips in her father's trailer to the campaign trail of Hillary Clinton. It is in planes, trains and automobiles that Steinem has encountered what she calls lhe surrealism in every day life', and on this one-stop tour you can hear the legendary speaker, who has taken to the