Epstein Secrets

RIAEN PIETERSZ VAN DE Couple (from Paul Russell) 330.000 303.476 (26,524) 0 (26.524) Narrows (Collateral) VISSCHER. CORNELIS Moor with an Arrow (from Paul Russell) 330.000 303.476 (26,524) 0 (26.524) AP Narrows BOURDELLE. EMILE- ANTOINE Penelope 60.000 30.000 (30,000) 0 (30.000)

0 21,500.000 0 AP Narrows LICHTENSTEIN, ROY Nude with Abstract Painting 4,300.000 25,000.000 20.700,000 20,700.000 0 Narrows (Collateral) PICASSO, PABLO Buste de femme 9,500.000 30.000.000 20.500,000 20,500.000 0 Narrows (Collateral) MUNCH. EDVARD Melancholy 11.000.000 30.000.000 1

ic problems, John von Neumann, introduced the key mathematical tools in a study of such a Classical, infinite-horizon, production-based model before Arrow and Debreu used the same tools (mostly topological) to formalize Walras. [Foley 1990] The idea that production rather than exchange is the source

ducing them, so the 'utility' of my second car will simply be its fundamental value (less transaction costs). Personally, I am not much of a fan of Picasso; Picasso paintings have negligible 'utility' for me. But if somebody offered to sell me one for a thousand pounds (and I was sure of provenance and

rship case. I participated in the Woody Allen-Mia Farrow litigation, the Michael Milken case, the litigati

en to Wagner, because he was an anti-Semite, who admired). I also became passionate about art. All kinds of art from Egyptian and Roman Sculpture to Picasso's Guernica and Rodan's Thinker. There were no art poster or reproductions in our home. The walls had mirrors (to make the apartment seem bigger) and