Epstein Secrets

trade shows and conventions (Yes, that story is in the book!) was starting to poke it's way through the ground. Whenever a customer asked me where Beethoven or Mozart was, I'd always answer, "I'd imagine in their graves." And if they weren't sure where to find Elvis, I'd simply say, "you could probably

e Onion in San Francisco presided over a new age of stand-up by providing stage time for such Hall of Fame game- changers as Lenny Bruce, Mort Sahl, Bill Cosby, the Smothers Brothers, Woody Allen, Phyllis Diller, Bob Newhart and Jonathan Winters. Nothing compares to that Golden Age but return with us now

me game- changers as Lenny Bruce, Mort Sahl, Bill Cosby, the Smothers Brothers, Woody Allen, Phyllis Dil

fast-moving financial product, a miracle medical cure, an idea, a smashed up sound - is like the first time you looked at a Matisse painting or heard Beethoven (or Orbital). It switched on a new sensibility. But you have probably had - or will shortly - another moment. This is the instant a cold and creeping

rs, when the once-commanding Colonel Pargiter finally passes away, liberating his daughter Eleanor into a world of adventure even as the change dooms Crosby, the family’s long-serving maid. “For Crosby, it was the end of everything,” Woolf wrote. “She had known every cupboard, flagstone, chair and table i

in an instant. The Long Now project, then, was like one of those carefully isolated arctic freezers, where samples of essential grains and DNA from Beethoven’s hair and Einstein’s brain are sunk and iced against the godforbid day in which our basic feedstock or a chunk of humanity has been wiped out by acc

iological historian Alfred Crosby: “The nineteenth century was followed by the twentieth century, which was followed by the...nineteenth century.”214 Crosby meant that our age of topological connection meant we were back, again, in an age of infections. And this was true: Morris program was mapping out, l