Epstein Secrets

y Complementarities" in The Screens and Other Poems (New York: Harcourt, Brace & World, (1960), p. 34. ace Where you end . . . draw a line" A A jj, Gertrude Stein, Lectures in America (Boston: Beacon Press 1935), pp. 209-10. ficeA noun is . . . write about it.fi A A n Eliot, ficeFour Quartets" op. cit., p. 126

ierkegaard, quoted in Loren Eiseley, The Firmament of Time (New York: Atheneum Publishers, 1966), p. 117. aceThe figure is not.a AA 65 Lashley, in Solomon et al., p. 2. &ea man thinks . . . good to eat.a AA 57. Wilder Penfield, ikeFunctional Localization in Temporal and Deep Sylvan Areas,a in Solomon e

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the

expected phone call from Wiener’s colleague Arthur K. Solomon, head of Harvard’s graduate program in biophysics. Wiener had died the year before, and Solomon and Wiener’s other close colleagues at MIT and Harvard had been reading about the Expanded Cinema Festival in the New York Times and were intrigued b

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the

expected phone call from Wiener’s colleague Arthur K. Solomon, head of Harvard’s graduate program in biophysics. Wiener had died the year before, and Solomon and Wiener’s other close colleagues at MIT and Harvard had been reading about the Expanded Cinema Festival in the New York Times and were intrigued b