Epstein Secrets

e-like terms backwards, as in who has gotten it, but forwards to where it will go and who will get it." Epstein can find himself echoing aspects of Thomas Piketty on the inequities of the accumulation of wealth ("the divide is between people with assets, which appreciate, and people without assets, who fail t

ance—that is, of course, the miracle of compounded interest"), except for the fact that Epstein, knowing the rich, understands a curious point that Piketty doesn't: "Nobody, nobody, wants to give it all to their children. Everybody now has the modern appreciation that one of the curses of great wealth

s who are also being quickly transformed. He moves into the penthouse of a new building at 66'h Street and Second Avenue—still in the shadow of the Maxwell Plum era when the 60s on Second was the glamour address—a building that was he says, as a fond memory, full of "actresses, models, and euro trash." (It

e-like terms backwards, as in who has gotten it, but forwards to where it will go and who will get it." Epstein can find himself echoing aspects of Thomas Piketty on the inequities of the accumulation of wealth ("the divide is between people with assets, which appreciate, and people without assets, who fail t

ance— that is, of course, the miracle of compounded interest"), except for the fact that Epstein, knowing the rich, understands a curious point that Piketty doesn't: "Nobody, nobody, wants to give it all to their children. Everybody now has the modern appreciation that one of the curses of great wealth

n even faster rate than others being quickly transformed. He moves into a new building at 66th Street and Second Avenue—still in the shadow of the Maxwell Plum era when the 60s on Second was the glamour address—a building full of "actresses, models, and euro trash." (It would shortly become the Studio 54 e

te-like terms backwards, as in who has gotten it, but forwards to where it will go and who will get it.” Epstein can find himself echoing aspects of Thomas Piketty on the inequities of the accumulation of wealth (“the divide is between people with assets, which appreciate, and people without assets, who fail to

vance—that 1s, of course, the miracle of compounded interest’’), except for the fact that Epstein, knowing the rich, understands a curious point that Piketty doesn’t: “Nobody, nobody, wants to give it all to their children. Everybody now has the modern appreciation that one of the curses of great wealth is

t an even faster rate than others being quickly transformed. He moves into a new building at 66" Street and Second Avenue—still in the shadow of the Maxwell Plum era when the 60s on Second was the glamour address—a building full of “actresses, models, and euro trash.” (It would shortly become the Studio 54 era

te-like terms backwards, as in who has gotten it, but forwards to where it will go and who will get it.” Epstein can find himself echoing aspects of Thomas Piketty on the inequities of the accumulation of wealth (“the divide is between people with assets, which appreciate, and people without assets, who fail to

vance— that is, of course, the miracle of compounded interest”), except for the fact that Epstein, knowing the rich, understands a curious point that Piketty doesn’t: “Nobody, nobody, wants to give it all to their children. Everybody now has the modern appreciation that one of the curses of great wealth is

ers who are also being quickly transformed. He moves into the penthouse of a new building at 66" Street and Second Avenue—still in the shadow of the Maxwell Plum era when the 60s on Second was the glamour address—a building that was he says, as a fond memory, full of “actresses, models, and euro trash.” (It wo