Epstein Secrets

st Freed Man" in The Collected Poems of Wallace Stevens (New York: Alfred A. Knopf, 1967), p. 205. aceTo be without description of to be.fi A A 14. Stevens, ficeNotes Toward a Supreme Fiction,fi Ibid., p. 389. ficeThe final elegance ... plainly to propound" A A 51 Stevens, aceThe Sail of Ulysses" in Op

y Complementarities" in The Screens and Other Poems (New York: Harcourt, Brace & World, (1960), p. 34. ace Where you end . . . draw a line" A A jj, Gertrude Stein, Lectures in America (Boston: Beacon Press 1935), pp. 209-10. ficeA noun is . . . write about it.fi A A n Eliot, ficeFour Quartets" op. cit., p. 126

out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consisting of

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the

out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consisting of

accent, “you are a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the