Epstein Secrets

ut Russia like it’s the worst place on earth. Russia’s great. —EDWARD SNOWDEN, Moscow, 2015 EFORE FLYING TO Moscow, I arranged to have dinner with Oliver Stone at an Italian restaurant on the Upper East Side of New York. I had greatly respected Stone’s ability as a film director after watching him work on Wa

E FLYING TO Moscow, I arranged to have dinner with Oliver Stone at an Italian restaurant on the Upper East Side of New York. I had greatly respected Stone’s ability as a film director after watching him work on Wall Street: Money Never Sleeps, a film in which I had a cameo role. I had also debated Stone

a “fixer,” the curious term that journalists commonly use to describe a local intermediary who arranges appointments in foreign countries. I retained Zamir Gotta, a highly respected TV producer in Mos- cow, who I was told had helped “fix” the Bamford interview with Snowden. “There is only one door to Snowden,

tate Department explicitly told: Ibid. 175 “I had spent ten years”: Hill, “How ACLU Attorney Ben Wizner Became Snowden’s Lawyer.” 176 Inthe case of Stone’s movie: Irina Alexsander, “Edward Snowden’s Long, Strange Journey to Hollywood,” New York Times Magazine, Sept. 4, 2016. 176 “I went the first six

w with author. 248 $1 million: Mike Fleming Jr, “Oliver Stone Buys Edward Snowden Russian Lawyer's ‘Novel’ Abo

these trips, and generously provided pho- tographs for this book. I thank Alexander Bitter in Hawaii, Joyce Xu in Hong Kong, Ko Shoiya in Japan, and Zamir Gotta, Natalie Filkina, and Svetlana Chervonnaya in Russia for their help in arranging my interviews in those places. I also owe special thanks to Nick Gru

ugh he was acting without compensation from Snowden, later received the stunning sum of one million dollars from Open Road Films, the distributor for Oliver Stone’s “Snowden” movie, for the rights to his not completed novel called “Time of the Octopus,” a story based on his story of Snowden’s stay at the airport.

ng to Moscow, I arranged to have dinner with Oliver Stone at Parma, an Italian restaurant on the upper east side of New York. I had greatly respected Stone ability as a film director after watching him work in Wall Street IT: Money Never Sleeps, a film in which I had a cameo role. I also had debated Ston

w “fixer,” the curious term that journalists commonly use to describe a local intermediary who arranges appointments in foreign countries. I retained Zamir Gotta, a highly respected TV producer in Moscow, who I was told had helped “fix” the Bamford interview with Snowden. HOUSE_OVERSIGHT_020344 193 “There i