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ar the effects of the crisis on=ordinary, non-Wall-Street- connected workers and homeowners. The end of the=film raises a disturbing question, as Mr. Damon exhorts viewers to demand =hanges in the status quo so that the trends associated with unchecked spec=lation of the kind that caused the last crisi
y3w> Mr. Ferguson chronicles <http://www.npr.org/template=/story/story.php?storyld=130272396> was far more braze= and damaging than the adultery in Nathaniel Hawthorne <http://topics.nytimes.com/top/reference/timestopics/=eople/h/nathaniel_hawthorne/index.html?inline=nyt-per> 's=novel, which treated Hester more as
ar the effects of the crisis on=ordinary, non-Wall-Street-connected workers and homeowners. The end of the=film raises a disturbing question, as Mr. Damon exhorts viewers to demand =hanges in the status quo so that the trends associated with unchecked spec=lation of the kind that caused the last crisis
y3w> Mr. Ferguson chronicles <http://www.npr.org/template=/story/story.php?storyld=130272396> was far more braze= and damaging than the adultery in Nathaniel Hawthorne <http://topics.nytimes.com/top/reference/timestopics/=eople/h/nathaniel_hawthorne/index.html?inline=nyt-per> 's=novel, which treated Hester more as
ive values that Mr. damaging than the adultery in Nathaniel Hawthorne's novel, which treated Hester more as scapegoat tha
with news clips and arresting aerial shots of New York, Iceland and other disaster areas - are folded into a clear and absorbing history, narrated by Matt Damon. The music (an opening song, "Big Time, " by Peter Gabriel, and a score by Alex Heffes) and the clean wide-screen cinematography provide an aesthetic
Page: HOUSE_OVERSIGHT_031986 →in particular the effects of the crisis on ordinary, non-Wall-Street-connected workers and homeowners. The end of the film raises a disturbing as Mr. Damon exhorts viewers demand changes in the status quo so that the trends associated with unchecked speculation of the kind that caused the last crisis - r
Page: HOUSE_OVERSIGHT_031987 →far more brazen and damaging than the adultery in Nathaniel Hawthorne's novel, which treated Hester more as scapegoat tha
g with news clips and arresting aerial shots of New York, Iceland and other disaster areas are folded into a clear and absorbing history, narrated by Matt Damon. The music (an opening song, "Big Time, by Peter Gabriel, and a score by Alex Heffes) and the clean wide-screen cinematography provide an aesthetic p
Page: HOUSE_OVERSIGHT_031988 →in particular the effects of the crisis on ordinary, non-wall-street-connected workers and homeowners. The end of the film raises a disturbing as Mr. Damon exhorts viewers to demand changes in the status quo so that the trends associated with unchecked speculation of the kind that caused the last crisis
Page: HOUSE_OVERSIGHT_031989 →Entities connected to both Matt Damon and Nathaniel Hawthorne

Jeffrey Epstein
PERSON
George W. Bush
PERSON
Lawrence Krauss
PERSON
Bill Clinton
PERSON
Larry Summers
PERSON
Sarah Ferguson
PERSON
Ronald Reagan
PERSON
Ireland
LOCATION
Saddam Hussein
PERSON
Raghuram Rajan
PERSONHester
PERSON
Alan Greenspan
PERSON
International Monetary Fund
ORGANIZATION
New Yorker
ORGANIZATION
Timothy F. Geithner
PERSON
Peter Gabriel
PERSON
Henry Paulson
PERSONAlex Heffes
PERSON
Sony Pictures Classics
ORGANIZATION
Henry M. Paulson Jr.
PERSON