Epstein Secrets

ing Haydn and Mozart. He also continued to write in other forms, turning out widely known piano sonatas like the "Pathetique" sonata (Op. 13), which Cooper describes as "surpass[ing] any of his previous compositions, in strength of character, depth of emotion, level of originality, and ingenuity of mot

sic Beethoven is acknowledged as one of the giants of classical music; he is occasionally referred to as one of the "three Bs" (along with Bach and Brahms) who epitomise that tradition. He was also a pivotal figure in the transition from the 18th century musical classicism to 19th century romanticism,

oard and Violin volume 1 (NEW 96kHz/24bit) Gary Cooper I Rachel Podger "...full of fantasy and experime

f modern classical music—Pieter Wispelwey (cello) and Dejan Lazic (piano)—perform sonatas by one of the great composers of the late Romantic era: Brahms. Featured here is his first cello sonata, as well as his Sonata for piano and cello in D-Major (originally composed for violin) and his Sonata for

ing Haydn and Mozart. He also continued to write in other forms, turning out widely known piano sonatas like the "Pathetique" sonata (Op. 13), which Cooper describes as "surpass[ing] any of his previous compositions, in strength of character, depth of emotion, level of originality, and ingenuity of mot

sic Beethoven is acknowledged as one of the giants of classical music; he is occasionally referred to as one of the "three Bs" (along with Bach and Brahms) who epitomise that tradition. He was also a pivotal figure in the transition from the 18th century musical classicism to igth century romanticism,